By Libba Bray
It’s 1895, and after the suicide of her mom, 16-year-old Gemma Doyle is distributed off from the existence she understands in India to Spence, a formal boarding university in England. Lonely, guilt-ridden, and susceptible to visions of the longer term that experience an uncomfortable behavior of coming real, Gemma’s reception there's a cold one. To make issues worse, she’s been through a mysterious younger Indian guy, a guy despatched to monitor her. yet why? what's her future? And what is going to her entanglement with Spence’s strongest girls—and their foray into the non secular world—lead to?
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It’s 1895, and after the suicide of her mom, 16-year-old Gemma Doyle is distributed off from the existence she is familiar with in India to Spence, a formal boarding college in England. Lonely, guilt-ridden, and at risk of visions of the longer term that experience an uncomfortable behavior of coming precise, Gemma’s reception there's a cold one.
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Additional info for A Great and Terrible Beauty (Gemma Doyle, Book 1)
The supportive writing communities of YAWriter and Manhattan Writers Coalition. The generous, big-hearted Schrobsdorff family: Mary Ann, for the wonderful resources and actual Victorian clothes for study; Ingalisa, for the terrific jacket photo; and the ever-great Susanna, for cheering, baby-sitting, and correcting my terrible French. Françoise Bui, for correcting even more of my terrible French. Franny Billingsley, who read the first draft and gave me ten pages of in-depth insight. Angela Johnson, for telling me to write the book I needed to write.
The blond girl cocks her head to one side, evaluating me. She stifles a yawn and goes back to gossiping with her friends. Perhaps I’ll blend in after all. Mrs. Nightwing pulls her cape tight at her neck and points the way with an outstretched arm. ” The other girls file out the door as Mrs. Nightwing barrels over to me with a girl in tow. “Miss Doyle, this is Ann Bradshaw, your new roommate. Miss Bradshaw is fifteen and also in first class. ” she says, her dull, watery eyes revealing nothing. I think of her snug quilt and don’t expect her to be a fun-loving sort.
Finally we come to a room at the end on the left. Mrs. Nightwing opens the door wide to reveal a cramped, musty-smelling room that could optimistically be described as cheerless and realistically be called drab. There’s a water-stained desk, a chair, and a lamp. Iron beds hug the left and right walls. One bed looks lived in, with a neatly tucked quilt. The other, my bed, fits tight in a nook under a steep eave that could probably break my skull if I sit up too quickly. It’s a dormer room, one that juts out over the side of the building like an afterthought—perfect for an afterthought of a girl, added to the roster at the last possible moment.