By Daniel Mason
From the bestselling writer of The Piano Tuner, a gorgeous novel a couple of younger girl's trip via an enormous, unnamed kingdom looking for her brother.
Fourteen-year-old Isabel used to be born in a distant village with the reward and curse of "seeing farther." whilst drought and battle grip the backlands, her brother Isaias joins an excellent exodus to a teeming urban within the south. quickly Isabel needs to keep on with, leaving behind the one domestic she's ever identified, her sole comfort the idea of being together with her brother again.
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Extra resources for A Far Country: A Novel
THOMAS HARDY, "B"rN'" of lhe HOlls, ofG"w' I Like several of the English romantics' major works The Trilltn/Jh of Life, Shelley's last poem, is, as is well known, a fragment that has been uneanhed, edited, reconstructed and much discussed. All this archeological labor can be considered a response to the questions that articulate one of the text's main structures: " . . 'And what is this? I Whose shape is that within the car? and why-' .. (11. 177-78) I; later repeated in a more subject-oriented, secondperson mode: ..
Ashbery's poem too is the shield of a greeting, its defensive and communicative functions inextricably mixed. Yet Ashbery's reading of his tradition of utterance, and my reading of Ashbery, are gestures of restitution. " The antithetical critic, following after the poet of his moment and his climate, must oppose to the abysses of Deconstruction's ironies a supermimesis achieved by an art that will not abandon the self to language, the art of Ashbery's earlier Fragment: The words sung in the next room are unavoidable But their passionate intelligence will be studied in you.
177-78) I; later repeated in a more subject-oriented, secondperson mode: .. 'Whence camest thou? ' .. (11. 296-97); finally repeated again, now in the first person: .. 'Shew Whence I came, and where I am, and why-. ' .. (1. 398). These questions can easily be referred back to the enigmatic text they punctuate and they are characteristic of the interpretive labor 39 40 SHELLEY DISFIGURED associated with romanticism. In the case of this movement, they acquire an edge of urgency which is often lacking when they are addressed to earlier periods, except when these periods are themselves mediated by the neo-hellenism, the neo-medievalism or the neo-baroque of the late eighteenth and the early nineteenth century.